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Schedule
Playbill

Click on The Icon Below for FestivET 2023 Playbill

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About the Plays
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The mists descending on the Darjeeling hills shrouds them in a veil of mystery and forgotten pasts. Atop one such remote hill is a secluded guest house where Diptesh, a retired chartered accountant, has sought refuge from the civilized world.  However, his plans are interrupted by Mohon Manohar Shobhan Sundar Murali Badan Shastri – the resident ghost of the house with a wicked sense of humor. A friendship is forged between the man and the ghost over stolen food, shared jokes and love for fried chicken and single malt. But soon such light hearted banter takes a more serious and personal tone when the two are forced to look at their own pasts – forcing them to dig deep into their soul and bare their innermost experiences.  Would they survive such brutal honesty?     

The play begins with Kallu getting killed by his gang and reliving the events of his life. His narrative is tinged with sarcasm and bitterness at times, and tongue in cheek during other times. But listen carefully and one will hear the undercurrent of pain and suffering. Born into a decadent landholding family in Bangladesh. but orphaned by the time he turns sixteen, he is tossed into a vortex of events that make him a dreaded criminal. This play explores his life as a microcosm of the socioeconomic political situation of Bengal after partition and the creation of the “anti-social.”

Ebong TheatriX Presents FestivET 2023 - A Two Day Theater Festival Featuring Eight Plays

The festival will feature two presentations from Ushneek Kolkata:

  • Bhoot 

    • Cast: Debshankar Haldar, Shubhashish Mukherjee, Nandini Sen

    • Written and Directed by Ishita Mukhopadhyay

  • Kallumama 

    • A Solo Performace by Debshankar Haldar 

    • Written and Directed by Ishita Mukhopadhyay

  • Date: September 30 and October 1, 2023 2PM.  Each day will feature four plays. 

  • Venue: Silver Spring Black Box Theatre, 8641 Colesville Road, Silver Spring, MD 20910

  • Plays by theater teams from Houston, Chicago, Ann Arbor, Columbus, Delaware, and Maryland

    • Mandi Theater, Chicago Presents  The Antidote

    •  Houston Natua Natyagoshti  Presents Hoimonti

    • Spotlight Columbus Presents  Bottoms Up

    • MILITS Presents  Durghatona

    • Kushilob  Presents অর্ধেক মহাদেশের খোঁজে  (Ardhek Mahadesher Khoje)

    •  Ramdhonu Natyogosti  Presents দাম্পত্য ভালোবাসা  (Dampotyo Bhalobasa) 

SOLD OUT

  • Tickets 

 

  • Saturday September 30 Only - $40 

  • Sunday October 1 Only - $40 

  • Both Days - $60 

  • Sponsorships

    • Platinum (Broadway)  

      • Contribution Amount: $1000

      • Benefits: 5 $60 tickets and front row seat

    • Gold (Starlight)  

      • Contribution Amount: $500

      • Benefits: 3 $60 tickets and front row seat

    • Silver (Spotlight) 

      • Contribution Amount: $250

      • Benefits: 2 $60 tickets and front row seat

    • Bronze (Curtain Call) 

      • Contribution Amount: $100

      • Benefits: 1 $60 ticket and front row seat

About the Venue

The venue is Silver Springs Black Box (8641 Colesville Rd, Silver Spring, MD 20910).  The AFI Silver Screen is right next to it - do not go there.  There is no on site parking but there are three parking garages within 2 blocks. It is our understanding that parking is free on Sunday but there is a fee for Saturday. 

  • The three municipal parking garages include 

    • The Wayne Avenue Parking Garage (921 Wayne Ave Silver Spring, MD 20910)

    • The Town Square Parking Garage ( 801 Ellsworth Dr Silver Spring, MD 20910 - Ellsworth Drive & Roeder Road entrances) 

    • Cameron Street Parking Garage (8530 Cameron St, Silver Spring, MD 20910) 

  • Alternatively, if you are taking Metro then it is 2 blocks from the Red Line’s Silver Spring Metro

https://silverspringblackbox.com/

Location and Parking

Details About the Plays

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Details About The Plays
Durghatona .jpg

When the past pelts stones to the future, it creates a rift, and a blow awaits to doom in.This play promises to be a moving portrayal of a crumbling familial structure.  It is a profound story about duties, about lives, about children and parents, about an exhausted old man in front of his adult children. All precise, honest and well crafted.

It is a solemn night at the Behala residence of Niladri and Kamalika, a successful physician couple. On this night three years ago, Niladri’s wife Tithi died in a horrible accident. A stranger appears at the couple’s doorstep and brings with her a shadow from a murky past. What really happened on that fateful night three years back? An inspector calls and suddenly nothing seems to be as they appear. The twisty tale of ‘Durghatona’ is loosely based on the famous British movie Chase a Crooked Shadow that was adapted later in multiple Indian language films. MILITS production of Durghatona is penned by Ananda Sen and directed by Mala Chakraborty.

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Five old friends reunite after 25 years. Everyone has a story to tell. But what’s so damning about these stories? What do these stories reveal? How do they affect the friendships? To find out more, sit tight and watch Bottoms Up, a Spotlight Columbus Production.

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Samaresh and Subho are in love with Hoimonti! They both have a socially defined place in Hoimonti's space, bitter-sweet irrelevant! Hoimonti is ill-defined and  can't be labelled or pigeonholed. However, simultaneously you can sense her conflicts, contrasts and helplessness. She is being discussed! Finally, the two gentlemen, separated by a timeline, meet and say 'good-bye.' Hoimonti came to our printed-memory through Nilanjan Chattopadhyay's short story 'Kagajkuchi', published in Sharodiya Aajkaal 2014.

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What guides the underlying stream of modern life? Alienated from the closest of relations, hounded by age-old epithets of human morality and guerrilla desires alike. What is it that sustains the will to seek new horizons? The urge to push the dimensions of personal oaths and social contracts? At what cost? This short play saunters through a vignette of whirlwind relations – inseparable from each other, yet fragile. Narratives that keep throwing these questions at us, till we stumble towards the surprising but inevitable end. 

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"Dampotyo Bhalobasa" is a timeless reflection of marital relationships - just as day follows night and night follows day in accordance with the laws of nature, a happy marital relationship also evolves with affection, detachment, jealousy, and love, following its own rules - all kinds of emotions come together to create a natural marital relationship. This delicate interplay of human emotions is depicted in Rainbow Theatre production "Dampotyo Bhalobasa" - if you can find yourselves within it, then the play will have served its purpose meaningfully.

Meet Team Ushneek

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Debshankar Halder

Debshankar Halder is one of India’s most acknowledged Bengali theater and film actors. He has worked for a long time in different renowned Bengali theatre groups like Nandikar, Rangapat, Sudrak, Gandhar and many others. An actor par excellence, known for his versatility, he played the role of Debabrata Biswas in ‘Bratyajon’'s production ‘Ruddha Sangeet’ (The Blocked Songs). He has performed to critical acclaim in films, television, and on national and state venues in India and abroad. Over the years he has been keenly involved with every aspect of theatre. One of the leading force of the group and closely associated with Nandikar's Children's Ensemble he has written and directed over 40 children's plays including the much acclaimed "Bhalo Manush Noigo Mora”. His first directorial venture outside Nandikar  is Story Teller's Topi (The Hat of a Story Teller). In April 2010, Rangapat, a leading theater group in India, held a theatre festival to showcase the works of actor Debshankar Haldar. a feat which no other stage actor from Bengal has achieved. He has won numerous awards and recognition for his performaces including:

  • Scholarship from Dept. of Culture, Govt. of India (1992-1994)

  • Junior Fellowship from Dept. of Culture, Govt. of India (1997-1999)

  • Senior Fellowship from Dept. of Culture, Govt. of India (2006-2007)

  • 2013 - ABP Ananda Sera Bangali Award for Best Actor

  • 2015 - Sangeet Natak Academy Award

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Shubhashish Mukherjee 

Over the last forty-five years he has contributed significantly to the Bengali theater through his roles in numerous productions including Ajker Spartacas, Lambokarno Pala, Kornik, Jharer Kheya, Bisharjan, Dragon Bodher Pala, Buchner, Ghar, Khele Bhangar Khela, Parul Bone Robi, Meghe Dhaka Tara, and Agnijatak.  He has collaborated with noted theater personalities including Jochhon Dastidar, Debkumar Bhattacharjee, Sunil Das, Shyamal Ghosh, Suranjana Dasgupta, Ishita Mukhopadhyay and Bratya Basu. His has worked in theater groups including Nakshatra, Charbak, Sanbarta, Antarmukh, Binodan, Nirbak Academy, Naihati Bratyajan and Ushneek. He is the founder and current President of Ushneek. In addition to theater, he has acted in more than 200 films since his debut film Chhoto Bokul Purer Jatri, by Purnendu Patri in 1981. He has worked with numerous directors including Tapan Sinha, Purnendu Patri, Buddhadeb Dasgupta, Utpalendu Chakraborty, Sandip Ray, Raja Sen, Prabhat Roy, Swapan Saha, Aparna Sen, Kamaleshwar Mukhopadhyay, Bappaditya Bandhopadhyay, Suman Mukhopadhyay, and Anjan Dutta.  In particular, his performance in n ‘Shilpantar’ (Dir. Bappaditya Bandhopadhyay), and ‘Herbert’ (Dir. Suman Mukhopadhyay) has won critical acclaim from critics and audiences. He has won numerous awards including BFJA (Twice), Uttam Kumar Award, Promotesh Barua Award (Thrice), Dishari Award, All India Critics’ Awards, Utpal Dutta Samman, and Zee Television Award.

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Ishita Mukhopadhyay

Ishita Mukhopadhyay, with a comparative lit degree from JU, directed her first play ‘Ghar’, an adaptation of Jean Paul Sartre’s ‘The Room,' when she was just 20. In 1984 Ishita founded the theatre group Ushneek and has been the in-house director for Ushneek for almost 40 years. Ushneek has grown under the tutelage of Ishita to a well acclaimed cultural group having won several prestigious accolades and has taken part in prestigious festivals like Nandikar National Theatre Festival, Narir Mancho Theatre festival, Cuttack International Festival, Sangeet Nataka Academy Festival, 8th theatre Olympics to name a few.   She also performed as an actor under the direction of Salil Bandhopadyay, Sunil Das, Manoj Mitra, Aloke Ranjan Dasgupta, Wolfram Mehering and others. Ishita received several accolades of which a few remarkable are, ‘Uttam Kumar Award’, ‘Pramathesh Barua Award’, ‘All India Critics Award’, ‘All India Women Association Award’, ‘Kalaratan Award’ in consecutive years as best director plays like ‘KAMALKAMINI’ and, ‘GAWAHARJAAN’. She received a Senior Fellowship from the Ministry of Culture in the year 2019. Ishita worked as a journalist in various reputed print media. She had been associated with ‘Desh’, a biweekly magazine as a theatre critic for 3 years.

Ishita has scripted and directed tele-serials like ‘Arabya Rajani’, ‘Ron Ruby Runa’ etc for channel Zee (Hindi). She has scripted and directed numerous documentary films including:

  • A research based documentary on ‘Alkaap’- a famous form of Folk Theatre of Murshidabad and Malda district, West Bengal with the aid of Paschimbanga Nattya Academy.

  • ‘Kathokatar Kato Katha’ – on five existing oral traditions of West Bengal which has an archival importance for Doordarshan Kendra.

  • ‘Tibet Tibet’ on Tantrik Buddhist Art of Tibet in hill areas of North Bengal which strained across from Tibet after the Chinese invasion for Gorkha National Hill Council.

  • ‘Darjeeling  Zoo’- on the breeding of white tigers and red pandas in captivity for Darjeeling Zoo Authority which was shown in Discovery Channel.

  • ‘Tarpan’- a Hindu ritual to be performed on Mahalaya for the French channel- Channel Seven

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Suman Mukhopadhyay’s exposure to theater came at a very early age through his father, the legendary theater personality Arun Mukhopadhyay (founder of Chetona, the renowned theater group).   After completing his theater studies from the U.S., he went back to India and has done theatre productions ranging from European drama to major adaptations of Bengali works. His body of work includes Raja Lear, Sunyo Sudhu Sunyo Noy, Bisarjan, Teesta Paarer Brittanto and Samay Asamayer Brittanto, and Mephisto, which is based on Klaus Mann's German novel. He has also staged Rabindranath Tagore's Raktakarabi; Falguni-Prelude, Shakespeare/Brecht's Coriolanus and Śūdraka's The Little Clay Cart. He directed The Man of the Heart (Life and times of Lalon Fokir) at the University of California, Berkeley and Girish Karnad's Nagamandala at the Department of Theatre, Kalamazoo College, Michigan. Man of the Heart was also invited to Barbican Centre, London

 

His first directorial debut film was Herbert, released in 2005, won the National Award for Best Bengali film. His second film Chaturanga, based on Tagore's novel, premiered at the Montreal World Film Festival. Filmed at 36 national and international festivals, Chaturanga received a Gran Prix award at Bridgefest, Sarajevo; the Best Director award at the Philadelphia Independent Film Festival and the Golden Palm at Mexico International Film Festival. His latest feature film "Nazarband" was premiered at the Busan International Film Festival.  His other films include "Asamapta"(Incomplete), "Shesher Kabita" (The Last Poem) starring Rahul Bose and Konkona Sen Sharma, "Kangal Malsat"(The War Cry of the Beggars), and Mahanagar@Kolkata. Recently Suman Mukhopadhyay has done a Zee5 original feature film Posham Pa and directed five episodes of Parchhayee based on Ruskin Bond stories. 

 

He has collaborated with us before in staging Shunyo Shudhu Shunyo Noy at FestivET last year. Incidentally the lead in Herbert, Shubhashish Mukherjee who won numerous  accolades for his role, will be starring in Bhoot, one of featured presentation on Saturday. 

Meet
Suman Mukhopadhyay

Ebong Remembers Shobha Sen, Tapas Sen, and Habib Tanveer

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Ebong Remembers
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